Process of Creative Works

Analyzing natural and artificial environmental factors.

Sketching multiple concepts for the site.

Reviewing scale and layout using an architectural model.

* Collaborated with architect

Setting the layout through floor planning.

Discovering historical and cultural clues and identifying key contexts.

Visualizing multiple concepts through writing and illustrations based on insights derived from research.

Developing these concepts into concise synopses that capture the theme.

Further refining the scenario into a more detailed narrative, considering the specific location or exhibition space.

Developing various prototypes based on the theme and concept through 3D modeling programs.

Refining the design based on the scenario and reviewing landscape.

* Engineering reviewed by external expert

For outdoor installations, conducting an engineering review to ensure structural feasibility.

Developing materials and colors while considering the lighting and architectural light design specific to the site.

Based on the design reviewed by the engineering team, creating a 1/50 or 1/10 scale study model to re-evaluate the sightlines and balance from the audience's perspective.

* Collaborated with a 3D company

Preparing all presentation materials and documents for stakeholders and clients, including aerial views and perspective drawings.

* Collaborated with a 3D company

For time-based media art, producing a video that captures the overall flow and structure of the project.

* Collaborated with a 3D company

crafting video simulations for sharing detailed direction and execution.

* Collaborated with  technical experts

Designing detailed system layouts to implement the finalized design on-site.

Reviewing the performance of equipment to ensure that the system can accurately reflect the planned design.

Final Reviewing the landscape design and sculpture design for the completed site.

* Collaborated with architects and mechanical engineers

Creating detailed construction drawings and revising the budget accordingly.

developing detailed storyboards based on the initial synopsis. This includes a detailed description of the video production.

If the project requires a specific narrator or character, a character design that reflects the storytelling is created.

Once the synopsis and character design are completed, the design for each scene is finalized through the storyboard.

Finally, ideation is carried out to connect how the developed story and storyboard can be effectively executed in the space.

* Collaborated with a composer

Music is designed based on an analysis of the emotional, visual, and spatial experiences that each scene needs to convey.

The media layout design is refined by reviewing how each medium creates harmony within the space.

* Collaborated with a assistant designer

For projects requiring elements like water and light, the choreography of these media is planned.

Studing the light and colors of the scenes and sharing the visual design with the engineering team.

Based on the sound and the completed synopsis, detailed visual research and guidelines for production are developed.

creating notes and drawing on how the video interacts with other media.

The final video storyboard includes necessary information for video production and details on time-based animations based on the music.

If experimental works are required, I do craft separate artwork for video animation

* Collaborated with a 3D programmer

Based on the storyboard, models are created, and if necessary, a pre-show test is conducted at the actual scale.

* Collaborated with a 3D programmer

Animations are adjusted based on the installation method and location; for indoor media art, depth and three-dimensionality are emphasized, while for outdoor projections, colors are used more richly to enhance visibility.

Planning for art direction, team composition, budget adjustments, and project management are carried out concurrently with the creative work.

* Collaborated with a assistant designer

Designing a visual elements in the show, alongside with projection videos. Using lasers to create linear patterns and emphasize parts of the story through animation.

* Collaborated with laser programmer

Implementing the design through programming, ensuring visual issues like reflections on sculptures are addressed.

* Collaborated with programmer and lighting director

(This is for show production) Analyzing the sound and scenes, and designing light to enhance the aesthetics of each scene.

* Collaborated with programmer and lighting director

Considering seasonal characteristics and environmental lighting, the architreure light design for night time is conducted.

This work is part of pre-production for Media show, creating materials and documentation for direction is envolved.

This work is part of pre-production for Media show, creating materials and documentation for direction is envolved.

This work is part of pre-production for Media show, creating materials and documentation for direction is envolved.

This work is part of pre-production for Media show, creating materials and documentation for direction is envolved.

This is about media show production process, creating materials for show direction is involved.

This is about media show production process, creating materials for show direction is involved.

This is about media show production process, creating materials for show direction is involved.

This is about media show production process, creating materials for show direction is involved.